“Everything in our background has prepared us to know and resist a prison when the gates begin to close around us . . . But what if there are no cries of anguish to be heard? Who is prepared to take arms against a sea of amusements? To whom do we complain, and when, and in what tone of voice, when serious discourse dissolves into giggles? What is the antidote to a culture's being drained by laughter?” ― Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business, 1985

People, "We The People", world wide - fundamentally do not grasp or understand what George Lucas was teaching to his Star Wars audience in summer of 1986, summer of 1987, published in 1988 in both book and television series. Hollywood audience education.

"Power of Mythology" series for the Star Wars audience to get the nonfiction understanding of the REAL WORLD history of fiction storytelling.

There is no supernatural.

Skywalker Ranch California lessons for Star Wars audience / Star Wars Fans:

1. "The idea of the supernatural as being something over and above the natural is a killing idea. In the Middle Ages this was the idea that finally turned that world into something like a wasteland, a land where people were living inauthentic lives, never doing a thing they truly wanted to because the supernatural laws required them to live as directed by their clergy. In a wasteland, people are fulfilling purposes that are not properly theirs but have been put upon them as inescapable laws. This is a killer. The twelfth-century troubadour poetry of courtly love was a protest against this supernaturally justified violation of life’s joy in truth. So too the Tristan legend and at least one of the great versions of the legend of the Grail, that of Wolfram von Eschenbach."
2. "And of course what destroys reason is passion. The principal passion in politics is greed. That is what pulls you down. And that’s why we’re on this side instead of the top of the pyramid.", "MOYERS: That’s why our founders opposed religious intolerance—", "CAMPBELL: That was out entirely. And that’s why they rejected the idea of the Fall, too. All men are competent to know the mind of God. There is no revelation special to any people."
3. "The big moment in the medieval myth is the awakening of the heart to compassion, the transformation of passion into compassion. That is the whole problem of the Grail stories, compassion for the wounded king. And out of that you also get the notion that Abelard offered as an explanation of the crucifixion: that the Son of God came down into this world to be crucified to awaken our hearts to compassion, and thus to turn our minds from the gross concerns of raw life in the world to the specifically human values of self-giving in shared suffering. In that sense the wounded king, the maimed king of the Grail legend, is a counterpart of the Christ. He is there to evoke compassion and thus bring a dead wasteland to life. There is a mystical notion there of the spiritual function of suffering in this world. The one who suffers is, as it were, the Christ, come before us to evoke the one thing that turns the human beast of prey into a valid human being. That one thing is compassion. This is the theme that James Joyce takes over and develops"