As one who played every Dragon Age game, this expresses much of how I feel as well.
After such a long wait I wanted another Origins or Inquisition, but I got something else and it was a fine, forgettable, C+ entry. A game that wants you to wave a giant foam finger instead have thoughtful choices, but at least it delivered an ending.
Federation outsiders serving a gleaming resort planet find out their day-to-day exploits are being broadcast to the entire quadran
Ok not bad, Acapulco is a funny show about working in a resort so I can sorta imagine it in space. Not as sure about the Punkd angle, but I’m remaining optimistic.
You have 2 main characters to follow and it’s absolutely different based on your age.
Very similar experience with Cars 3. Children identify with the new up-and-comer race car while grownups identify with a Lightning McQueen who must accept his glory days are past and embrace the next generation.
Shoutout for the race announcer who drops a microcosm of the whole film in a single line:
So ultimately, I feel like what we’re saying is that in order for Starfleet and that beautiful vision that Roddenberry had of this optimistic utopia, in order for that vision to exist, in order for the light to exist, you need people who operate in the shadows. And it’s a yin and yang. You can’t have one without the other.
I don’t like this sort of mother-goosery in my fully automated luxury gay space communism.
I prefer the assimilating power of root beer as the true defender of the federation.
Ya that episode is great. It lurked in the back of my mind every episode afterward, always hoping to hear any sort of throwaway line about the fate of that ship.
They calling me: I sleep (it goes to sms because I never setup voicemail)
I must call them: Real shit