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  • When someone’s falling hundreds of feet and when they’re inches from the ground a super hero swoops in from the side to grab them.

    Sure, they didn’t hit the ground but not only did you catching them slow down their vertical velocity just as fast as the ground would have, now you’ve accelerated them horizontally so fast that they’re now twice as dead as they would’ve been otherwise

  • The Dark Knight trilogy really wanted to be a realistic, grounded take on the Batman mythos, so they dropped the more fantastical elements of some characters' backstories. Ra's Al Ghul was no longer immortal, Bane didn't have super steroids, the Joker wasn't permanently bleached by chemicals...then there's Two-Face.

    I guess they thought acid burns were too unrealistic, so they gave him regular burns...apparently without knowing that burns that severe would be so painful that he wouldn't even be able to remain conscious, much less run around the city on a killing spree. I mean, you can see exposed muscle in some places. There's a line where Gordon says he's rejecting skin grafts, and I remember thinking, "WTF are you talking about? He should be in a medically induced coma, not making healthcare decisions." Half of his body was an open wound; I'm amazed he didn't die of infection 15 minutes after he left the hospital.

  • I love scenes where a character hotwires a car by:

    • reaching under the steering wheel and pulling a panel off. It isn't held on by fasteners or anything, it's just like wedged in place.
    • A bunch of loosely coiled wires tumbles out. In front are two thicker wires that are cut, stripped and tinned.
    • The character strikes these two wires against each other like attempting to strike a match, mostly to make sparks.
    • The sound of a car engine turning over plays.
    • Climb in, shut the door, put it in gear and drive off.
  • There’s a scene in Spider-Man: No Way Home where Tom Holland is fighting the Green Goblin. Goblin grabs Spidey, jumps with him, and then they both smash through the 23rd or so floor of the apartment building they’re in and they land on the floor below.

    Sure, they’re both super strong but neither of them used their strength to push through the floor. They just jumped and reached no more than like a foot off the floor, implying that gravity pulled them both through the floor. Okay, so the floor was built poorly, but then why did falling 10+ feet from the 23rd floor to the 22nd floor not make them smash through the 22nd floor?

    That movie’s a lot of a fun but that scene makes me upset lol

  • I think a good common one is explosions that throw people at least 10 feet without killing them. If the shockwave is strong enough to do that, isn’t it strong enough to tenderize and completely disable all of your internal organs as well?

  • Recently, I've been mindful of how long fights are in movies.

    Sword fight? Fanning at each other, crossing and smacking swords. Maybe even walking around each other. I don't think that's how a real sword fight would look.

    Fights where it's mostly talking. Talking and talking. Nobody would fight like that.

    Fist fights without a smack and dead. It's fancy movement - only because of the shaky camera and cuts of course. Give me back Jackie Chan or smack them once and they fall over.

    I also dislike noticing the wire-guided movements. Fast acceleration and you can see them balancing in the air lifted by wires. Wires removed after-the-fact, but it's such unnatural movement.

    And of course, the classic gunfight where nobody hits anything.

    Or any monster chase or fight. If a giant monster chases you it's faster and instant-kills you. But not in movies.

    It's certainly prevalent.

  • The Iron fist show had me livid when the MC gets "voted" out by the board of the company the MC OWNS A MAJORITY OF!!

  • We just watched "The Trap" last night. There was a major pop concert that ended in time for family dinner time during daylight. In the concert, they were depicted having time to make multiple trips to the merch tables and concessions, and in one of those trips, they talked like it was an intermission to change the stage set between songs.

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