I’m not so sure it didn’t have a target audience so much as it was a casualty of the shift to dispersed streaming where everyone pays a ton for platforms so they only consume what’s on it.
It just dropped at the wrong time and didn’t see widespread chatter because everything is so fractured.
It feels like these days things need to either be picked up by a platform willing to ride it out (like Apple+ seems to be), or find some way to get a solid piracy footprint before the contract ends. And that’s a tall order for animation not aimed at kids, sadly.
But most of the best animation in the last 5-ish years is super difficult to find on most piracy sites.. so nobody gets a chance to actually see if they like it.