In the 2011 Muppets movie, Gonzo had moved on from the Muppets ensemble and started his own flourishing toilet company: Gonzo's Royal Flush.
He initially rejects Kermit's plea to return to the Muppets. His life as a CEO was what he wanted. His fine suit, his fine wife (a Chicken, of course), his sprawling business empire... He was living the dream.
But then, he comes to, and decides to rejoin the Muppets.
But this is the best part, from his suit, he withdraws a detonator.
He activates it, and blows up his whole industrial complex.
Like, why did he have to destroy it? Why did he decide to rig his whole operation with explosives? Was he really coming to work every day with the detonator in his breast pocket??
This is the high drama piece I want. I want to see Gonzo rise to the top while his internal struggles and duality is tearing him apart.
A movie that opens with a walrus fucking a cat. This is not even the slightest exaggeration.
Relatedly, Jim Henson originally wanted to name the Muppets show "The Muppet Show: Sex and Violence." This was to set it apart from his kid friendly Sesame Street productions, an image he was afraid he'd be saddled and typecast with forever.
This probably inspired the tone of the Feebles. Nobody believes it was directed by Peter Jackson. Yes, that Peter Jackson.
The best Muppet movies are modern retellings of old stories, like Treasure Island or A Christmas Carol. So I say we make Muppet Fall of the House of Usher.
Whom Miss Piggy consistently suspects is actually 007, refuses to accept any proof to the contrary, and makes increasingly amorous overtures to vow to keep his secret safe? These, naturally, only end up confounding the investigation's progress rather quickly, all the way up to her faking her own death (to "flush out the real killer"), and Benoit breaks the 4th wall when he realizes he's now trapped in a series of movies with the lot of them.
It's a shame, because the first Muppets reboot movie with Jason Segel was actually really good. The music was top-notch, and IIRC Bret from Flight Of The Concords won an Oscar for one of the songs.
I'll never understand why movie companies don't listen to fans. We NEED a muppets cinematic universe. 12 angry men, yes. The wire remade with muppets, green light. Train spotting, promotion.
The thing about Live Action Adaptations of an Animated Work is an Obscure Hollywood loophole where you don't have to pay anybody involved in the originals any royalties.
I forget the exact Court Case but a couple decades ago the courts decided that the live action remake and the animated film it was based on were too different to warrant royalties, even in the case of 1 to 1 scene recreations.
Yeah they are very clearly, barely disguised cash grabs for the studio and execs only to show a higher profit on a film that won't actually make record highs anymore.
You could tell it from basically just the CGI quality getting worse and worse.
There are super expensive actors and execs that need to get paid and consistent low effort movies with huge budgets can hide that and cheaper production costs leave more to go back as profit for shareholders which is funny enough the same people.
Nothing new for investors to grab hold of and not enough money back, it's like capitalism hit a ceiling and is squeezing itself to death.
Real talk: is Gonzo the Funnyman and the GF's "cat" is a chicken?
edit: I genuinely hope that AI advances to this degree that "fan art" of this is possible ASAP! I want to make this happen with a series of prompts and consecutive sleepless nights tinkering with it...
So I watched it last night for the first time in a while, cracking up every time Funnyman was on screen, imaging Gonzo delivering that long line of “fucks” among other things. And I think Fozzie Bear needs to do Ron Jeremy’s role.
But let's start with Pigs in Space, or any muppet star fleet crew. They get into the mirror universe. Everyone is expecting evil looking puppets, maybe different colors, darker or something. But it's our well known flesh and blood universe