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The tyranny of the algorithm: why every coffee shop looks the same

www.theguardian.com The tyranny of the algorithm: why every coffee shop looks the same

The long read: From the generic hipster cafe to the ‘Instagram wall’, the internet has pushed us towards a kind of global ubiquity – and this phenomenon is only going to intensify

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  • i really miss the feel of early-mid-90s coffee shops. cozy, comfy, neighborhood coffeshops. like your local bar, but for the morning/afternoons. local coffee, local foodstuffs, and locals. it was a hangout spot and often had open internet workstations for that sort of stuff (obviously long before wifi and juuuust about when broadband was becoming commercially available). these were chill spaces for work, hanging out, meeting up, or just grabbing a quick cup of coffee and a biscotti.

    fuck you Starsucks for killing these wonderful places.

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  • It's not just coffee shops. It's hotel rooms and restaurants and homes. Hell, even our cars only come in two shapes now: Egg and Box. And three colors: White, gray, or black

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  • How bleak. A couple proprietary algorithms driving millions of business decisions across the globe, everyday.

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  • I will offer an alternate explanation:

    Restaurants (and by extension, coffee shop) are inherently very risky businesses to start and operation, I think over 90 percent of them fail in the first year. So, to increase the chances of survival, you have to make sure your business is ran as efficiently as possible, things like rent and location is outside of your control, so you always want to maximize the value of every dollar you spend.

    The first people notice when they go into a new restaurant is cleanliness, nobody wants to eat at a new place that looks dirty, you can only get away from that if you are a decades old local hole in the wall. Ease of cleaning, therefore, is the number 1 priority over everything else.

    So, why the "industrial" concrete/tiled floor and metal chair? Because you can just hose them down at the end of the day. Same thing with big open wooden tables and sparce renovations, ease of cleaning.

    The second thing is you have to avoid major renovations, make the with the space you have and maximize the amount of interesting decorations for the minimum money/work.

    Why put subway tiles on white walls for decorations? Because you don't have to hire painters, and subway tiles are cheap and interesting looking.

    Why use big open windows and only dim Edison bulbs for lighting? Because hiring electricians to rewire the place you rent for lighting is a lot more expensive than using the big windows you already have.

    Why avocado toast? Because coffee is your main focus, the food is important but secondary, and a piece of fruit on a piece of bread pretty much doesn't require any cooking.

    It's really the operation efficiency, rather than some trend following "Instagram" asthetics that led to all these coffee shop looking the same, I think this is a better explanation than what this article proposes.

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    • I've begun a new job at a ✨cool✨ (legitimately) local coffee shop. Not my first career choice, but I've moved countries and I value people over money. Anyway, that's a different story.

      Why avocado toast? Because coffee is your main focus

      Ex-fuckin'-actly. We prepare high-quality coffee and for a small team sourcing from farmers halfway across the world ensuring that it stays high-quality is the main focus. There are 3 bakeries within a short walking distance if you want food.

      Besides that, it's the familiarity that drives coffee shops to look like coffee shops. You wouldn't expect a black metal album cover to look like a jazz record album for the most part unless you're deliberately playing a trick.

      That said I do enjoy it when people twist formulas, but obviously, it's a risk for business. In my case, the cafe that I work in could be found all over Europe, but locally it remains a twist on what the locals usually do. And I think that's where the feeling of uniqueness comes from.

      The article points out a valid critique that I've mulled over in my own head:

      Only certain types of people were encouraged to feel comfortable in the zone of AirSpace, and others were actively filtered out. It required money and a certain fluency for someone to be comfortable with the characteristic act of plunking down a laptop on one of the generic cafes’ broad tables and sitting there for hours, akin to learning the unspoken etiquette of a cocktail bar in a luxury hotel. The AirSpace cafes “are oppressive, in the sense that they are exclusive and expensive”, Gonzalez said. When whiteness and wealth are posed as the norm, a kind of force field of aesthetics and ideology keeps out anyone who does not fit the template.

      And goes to interesting places recounting the history of instagrammability, the tyranny of the algorithm and the experiences of the owners of the coffeeshops. Overall a good read.

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    • It is happening in my industry as well. A lot of our part suppliers are converging. Our systems look and act like our competition. It is a losing battle, I try to keep pushing but the problem is bigger than I am. Eventually all the value adds all the uniqueness gets removed and it becomes a race to the bottom. Who can make the same that hit the platonic form and do it for the least amount of money.

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  • Seems relevant ... Ted Gioia's article on "Signs you're living in a world without a counter culture": https://www.honest-broker.com/p/14-warning-signs-that-you-are-living

    In general, it's a very older-gen (boomer/x-gen) point to make at the moment, but it's probably one of the nostalgic points worth taking seriously. I'm sure today there are certainly counter cultures. My bet is that compared to the past, they're harder to find, generally more numerous and probably more nebulous and hard to pin down unless you're "in them", and, problematically, I'd imagine they tend to be "thinner" and more fragile ... less "alternative world views" and more "particular vibe specific to a time and place". Genuinely curious topic for me though.

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    • I never thought about this but it certainly feels true. The vibe I mostly get from young people is a lot of resentment of boomers (understandable) and a general hopelessness / nihilism (also understandable) and a desire for inclusion and diversity (positives) but not a lot of cohesive fighting spirit.

      There have been some serious efforts (protests about school shootings, Occupy Wall Street, BLM, ANTIFA, Greta, etc) but they all kind of fizzle out when the next big culture war diversion comes along. The establishment has mastered their ability to divide and conquer working class folks. As easy as it is to hold contempt for boomers, the hippie counterculture did have a massive impact.

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      • As easy as it is to hold contempt for boomers, the hippie counterculture did have a massive impact.

        Resonates with my personal critique of my generation (millennial) ... however "unlucky" we are to suffer the transition out of the post-war period and "suffer" the boomers ... we're a relatively ineffectual and entitled bunch TBH, however much that is our fault or our circumstances.

        We're the generation that have gone ahead and made a bunch of life decisions because it was what we were "supposed" to do. We're the generation that trusted and to some extent still trusts the system, and, expects there to be a system that is trust worthy ... which aren't bad virtues or expectations, but certainly helps explain how a generation can share a ubiquitous dissatisfaction with how the world ends up working and the future we're heading toward but still struggle to work up the motivation to get up and do something about it. In a way, we've been betrayed by our elders and we don't know what to do about it and how sad we and empty we feel about it.

        And simultaneously, we're the generation that's as plugged in to consuming and responding to the input of big giant systems as ever. (Over-)Education^[I've got nothing against education per se, but I feel that a lot of education is rather shallow, manufactured and focused on "certification" rather than useful and meaningful understandings, ideas and skills.], TV, Internet, social media, 24hr news, globalisation. Our attention spans are short, our concerns our ephemeral or fed to us by the mainstream, and we feel smaller and smaller against the great tide of content and input over which have no control and in which even less stakes. We're the "stay in your lane" and doom-scroll generation ... which makes us ill-prepared and ill-suited for changing the kind of systems we rely on. When something feels too big or too hard, we're more likely to sit alone, pick up our phones and doom-scroll for some dopamine than we are to look around to our peers sitting next to us for support and dig in together.


        And to bring this back to the fediverse ... many on here celebrate how it feels like the old internet that the remember (old twitter or usenet). I've always personally found that problematic.

        On a basic level, nostalgia can be dangerous in its indifference to the present ... old twitter and usenet and the old internet are kinda dead and the fediverse should lean in to being its own thing, however much that borrows from what once was.

        More specifically, social media for the younger generation is a different thing ... they didn't use the internet in the 90s and never will. Some of them have only seen twitter, youtube and tiktok and can't help but compare anything like the fediverse, however much they might be interested in its ideas, to the social media they know.

        So for me, us millennials, I think we're kind of broken, and heading into the physical age where we're custodians of our experience and the lessons that ought to have been learnt from it, and no longer "the generation" that the world should care about and be making social media platforms for.

        We should be making an internet for the younger generations, one that is better than what our X-gen/Boomer capitalist seniors gave them and gives them a chance to understand and use the knowledge sharing, exploration and independence the technology can provide.

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      • There have been some serious efforts (protests about school shootings, Occupy Wall Street, BLM, ANTIFA, Greta, etc) but they all kind of fizzle out when the next big culture war diversion comes along.

        Either that or maybe the FBI has just gotten really good at disrupting them.

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  • Interesting article. It reminded me of this story:

    https://www.usatoday.com/story/life/humankind/2023/12/28/spiral-hot-dogs-photo-norman-ok-business-boom/72051213007/

    They frame that one as wholesome. I suppose in a way it is.

    But it's also kind of dystopian. People lost interest in a nice place that serves food and drink they enjoy... simply because it wasn't trending on the internet. If you don't actively participate in the phoney curated bullshit and stay on top of the mercurial whims of social media, you quickly cease to exist.

    It's like people forgot restaurants are there to serve you meals, not to be a photo op so you can enjoy a 15 second endorphin rush.

    I'm not surprised, though. People put their own lives and the lives of others at risk all the time so they can drive and text. I see it every time I drive. Literally risking killing themselves and other people because of internet-brain.

    As for the homogeneous nature of these cafes and places, I'm not sure that's a very new phenomenon. Diners and hotels from the 1950s and beyond have always been pretty similar to each other. I guess social media also makes that worse, though. Copy everyone else faster or go out of business model.

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  • My first reaction was that this excerpt reminds me of a piece I wrote two years ago called "The Airbnb-ification of the arts", about how artists looking to make a career out of art are forced to cater to an algorithm that favors comfortable predictability over depth or uniqueness. My essay was heavily inspired by Kyle Chayka's famous 2016 essay "Welcome to Airspace".

    Jokes on me for not reading the byline because it turns out Kyle wrote the book this excerpt is from! lol good for him. Looking forward to reading it.

    I'm curious to know if he has a presence on Mastodon or any other Social Web apps, he's a really great writer I'd like to follow.

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  • Probably to make people feel like they've been there before, so they won't hesitate to buy things from a new store

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  • This is the best summary I could come up with:


    Inevitably, I could quickly identify a cafe among the search results that had the requisite qualities: plentiful daylight through large storefront windows; industrial-size wood tables for accessible seating; a bright interior with walls painted white or covered in subway tiles; and wifi available for writing or procrastinating.

    Accoutrements such as lights made from rusty plumbing fixtures were left behind in favour of houseplants (succulents especially) and highly textured fibre art, evoking west coast bohemia more than hardscrabble New York City.

    You can ease into that space because it’s such a familiar space.” The homogeneity contrasted with the overall hipster philosophy of the 2010s, namely, that by consuming certain products and cultural artefacts you could proclaim your own uniqueness apart from the mainstream crowd – in this case a particular coffee shop rather than an obscure band or clothing brand.

    It required money and a certain fluency for someone to be comfortable with the characteristic act of plunking down a laptop on one of the generic cafes’ broad tables and sitting there for hours, akin to learning the unspoken etiquette of a cocktail bar in a luxury hotel.

    “Everything else is damage control.” We talk about politics, culture and travel becoming globalised, but on a more fundamental level, Spivak is correct that what really flows across the planet are various forms of money and information: investments, corporations, infrastructure, server farms and the combined data of all the digital platforms, sluicing invisibly like wind or ocean currents between nations.

    Pursuing Instagrammability is a trap: the fast growth that comes with adopting a recognisable template, whether for a physical space or purely digital content, gives way to the daily grind of keeping up posts and figuring out the latest twists of the algorithm – which hashtags, memes or formats need to be followed.


    The original article contains 4,235 words, the summary contains 300 words. Saved 93%. I'm a bot and I'm open source!

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