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#CountryMusic’s #CultureWars and the Remaking of #Nashville #country #lgbt #loveRising #music

www.newyorker.com Country Music’s Culture Wars and the Remaking of Nashville

Tennessee’s government has turned hard red, but a new set of outlaw songwriters is challenging Music City’s conservative ways—and ruling bro-country sound.

the dominant emotion at “Love Rising” wasn’t anarchy but reassurance—a therapeutic vibe, broken up by pleas to register to vote. Nashville’s mayor, John Cooper, a Democrat, spoke; stars from “RuPaul’s Drag Race” showed up via Zoom. The folky Americana singer Joy Oladokun, who had a “keep hope alive” sticker on their guitar, spoke gently about growing up in a small town while being Black and “queer, sort of femme, but not totally in the binary.” Jake Wesley Rogers, whose sequinned suit and big yellow glasses channelled Elton John, sang a spine-tingling version of his queer-positive pop anthem “Pluto”: “Hate on me, hate on me, hate on me! / You might as well hate the sun / for shining just a little too much.”

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