If you start the third episode of "Nightmare in Eden" at 23 minutes to midnight on New Year's Eve, the clock on the screen changes from 20:24 to 20:25, and Romana presses a button on the spaceship's dashboard to set the midnight bells tolling.
Yeah, Moff is going soft in his old age 😄
I may be reading too much into the religious bit, it just jarred so much with the show's history of (granted, loosely) science based storylines and resolutions. Just yesterday I watched The daemons where the Third Doctor berates Jo for her new age-y superstitions:
Everything that happens in life must have a scientific explanation. If you know where to look for it, that is.
But I guess I'll have to ignore the biblical setting in JttW as a rare lapse, unless of course it is revealed to lead into the opening scene of Life of Brian...
The more I think about this special episode, the more I love the Doctor's year with Anita. The way it was compressed and showed their bond growing made me think of the first minutes of Pixar's Up. Just the gentle, fragmented sketching of a shared life, leading up to an inevitable but still devastating loss — and the significance of armchairs!
Finally, re "bootstrapping" — Moffat has form in this area. Yes, obligatory nod to Before the flood, but the way it was handled this episode really reminded me more of an earlier example. Only a few days ago I watched the Red Nose Day shorts Space and Time, and it's basically the same situation:
Amy Pond: Who the hell are you?
Amy 2: I'm you ... from your future.
The Doctor: Tell me exactly what's happened.
Amy 2: Well, the exterior shell of the TARDIS has drifted forwards in time. If you step into the box now you step inside the control room a tiny bit into the past.
Amy Pond: I don't understand.
Amy 2: Neither do I.
Amy Pond: But you just said it.
Amy 2: No, I'm just repeating it. I'm just remembering what I heard myself saying when I was standing where you are standing now and repeating it I'm just repeating this, too, and this ... and this.
Amy Pond: Ah, I still don't understand.
Amy 2: You still don't.
At some point you just have to trust the process and hope you don't create a new "mavity" situation, I guess 🙂
See, what I always liked the best about Doctor Who christmas episodes is when they manage to use the holiday traditions as a background for science fiction, which in itself is just a big idea way of talking about the human condition. When these specials really play well, they loop back and produce secular little narratives that join the speculative science and the human need for connection that can be at its most precarious during midwinter.
Spoilers for the episode ahead
Joy to the world(s?) had a lot of that between poor lonely Joy herself, the Doctor aching for companionship, the Time Hotel connecting people across time eras, and that cosmic nuclear football that seems to threaten it all.
Moffat can really pull at your heart strings when he wants, even with characters you've only known for minutes. Joy speaking forlornly to a fly in her depressing hotel room; eager to please concierge Trev, wanting so much to not let people down too much; and Anita from reception — in particular her bottle year with the Doctor was a significant parenthetical before he caught up with the main rush of narrative.
The Scooby-Doo conceit of running from door to unconnected door down a corridor holds up even under pressure of a holiday related trauma and time travel. The star seed, in all its Pulp fiction-y MacGuffin glory, isn't nearly as clever as the prefab conflict Villengard whipped up in Boom, but it's vaguely threatening enough to drive the story.
The climax is where they lost me, though. I was fully on board with Joy's loss of her mother, Trev infiltrating the star over the course of aeons, and the Doctor using the Orient Express to force a door open (a more convincing use of rope than Empire of death). And all of it coming together in Joy's ascension made perfect sense — until that reveal of the location.
I realise that this era of Who is more fantasy- and fairytale-prone than previous ones, but tying the ending into the actual f—king biblical nativity isn't cute, or topical, or even relevant. It's just pandering, and lower than I'd expect from a hardnosed atheist like Moffat. My entire family groaned.
All in all a very good special, bookending a beautiful sabbatical vignette in the midst of the convoluted action — all let down by tacked-on religious bullshit in the final minutes.
Oh, do watch The war games in any form you can! It is a truly well-spun end to Troughton's (regrettably largely missing) run, and I really encourage everybody to watch it.
I did a quick skip through Classic Who a few years ago, thanks to LegoK9's guide to essential episodes, and I quickly became a fan of the Second Doctor. So much of what we recognise as the Doctor's character was formed in that run.
I dislike the animated reconstructions for their lack of artistry and wooden pacing, but for the Troughton/Hines partnership they're much better than nothing. I'm going to say you haven't lived until you've seen Patrick Troughton and Frazer Hines spar on screen. Possibly the best Doctor/companion pairing until Tennant/Tate!
I think you're right about the legality of watching outside Britain, and I will not comment any further 😉
Landing in the horrors of World War I, the Doctor discovers a galaxy-spanning threat.
> > > When the Tardis lands in the horrors of World War I, the Doctor uncovers a threat spanning galaxies and history itself. But this time, saving the day might doom the Doctor forever. > >
These are my thoughts on the colourised, re-cut version of the War Games serial released on December 23 2024: https://bw.artemislena.eu/tardis/wiki/The/_War/_Games/_in/Colour/(TV/_story). It had been edited down from 10×25 minute episodes to one 90 minutes special, with new material added in, including score.
Surprisingly enough, the cuts for (much shorter) airtime worked quite well. Some parts of the plot were lost, and people were inexplicably saved from certain pickles to appear unharmed — but that was to be expected. I enjoyed the edit more than I thought I would. There were more exterior shots added than strictly necessary, and I guess they were often used to disguise cuts. They did seem a bit too frequent in the second act, but that could be just my preference.
The colourisation was pretty loyal to the colour film of the time, I thought. Especially for the genre and target audience. Quite bright, but with all the earth tones required for the initial World War One setting. The recovery of 16mm location recordings made some scenes stand out even crisper than they ever looked on screen!
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I did have issues with the hamfisted way the War Chief was retroactively confirmed as an earlier incarnation of the Master, with the much later Saxon Master’s theme inserted into the soundtrack, and a sound effect of a beginning regeneration after the War Chief’s demise. That seemed an unnecessary indulgence of old fanboys’ head canon.
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The reason to race through most of the serial, of course, was to get to the Time Lord trial and the Second Doctor’s [edit: previously unseen] regeneration into the Third — canonically eliminating another ambiguity from the Whoniverse that had until now allowed for ample Season 6B theorising.
The trial had some fun, 21st century additions that I rather enjoyed — if you know you know, I'm not going to spoil those — but the added regeneration sequence (pasted from this fan video) didn’t just fill a gap where fans’ imaginations had run creative for 55 years. It also gave us an absolutely atrocious CGI rendered closeup shot of “Jon Pertwee”.
Is anybody happier and better off that we have this new end to War Games? I doubt most viewers are more than indifferent to those superfluous, dreary last minutes. And I’ll definitely remember season 6B fonder than I will this ending.
Thoughts, fellow viewers? Did you watch this hour and a half more charitably?
Surprisingly enough, the cuts for (much shorter) airtime worked quite well. Some parts of the plot were lost, and people were inexplicably saved from certain pickles to appear unharmed — but that was to be expected. I enjoyed the edit more than I expected. There were more exterior shots added than strictly necessary, and I guess they were often used to disguise cuts.
PREVIEW_HERE
I had issues with the hamfisted way the War Chief was retroactively confirmed as an earlier incarnation of the Master, with the Saxon Master's theme inserted into the soundtrack, and a sound effect of a beginning regeneration after the War Chief's demise. That seemed an unnecessary indulgence of old fanboys' head cannon.
The reason to race through most of the serial, of course, was to get to the Time Lord trial and the Second Doctor's regeneration into the Third — canonically eliminating another ambiguity from the Whoniverse that had until now allowed for the Season 6B theory.
The trial had some fun, 21st century additions that I rather enjoyed — if you know you know — but the added regeneration sequence didn't just fill a gap where fans' imaginations had run creative for 55 years. It also gave us an absolutely atrocious CGI rendered closeup shot of "Jon Pertwee".
Is anybody happier and better off that we have this new end to War Games? I doubt anybody is more than indifferent to those dreary last minutes. And I'll definitely remember season 6B fonder.
No worries. Given the season, surely it's the recurring Bahhum bug.
Probably true. I don't see anything like that in the article, though?
So what I take away after a quick skim on xmas eve is... this is an attempt at one app for all (or big parts) of the fediverse?
Works for me.
I think this is the most mature and versatile one? Bookwyrm is nice for what it does, but it's only books.
Semantics. If person A is protected by privacy rights in her jurisdiction, but her data is scraped by project B from one where such rights conveniently aren't legally respected, A should still be able to expect some way of injunction.
Correct answer, of course.
Using one LLM to fuck up a lot more is poetic I suppose. I'd just rather not use them in the first place.
I'm trying to optimise my human efficiency vs effort here, but yeah. Get your point.
Theoretically speaking, what level of nonsense are we talking about in order to really mess up the training model?
a) Something that doesn't represent the actual contents of the website (like posting "The Odyssey" to the llms.txt
of a software documentation site),
b) a randomly generated wall of real words out of context, or
c) just straight lorem ipsum filler?
Yeah, terrific use for a mini PC. Will some self hosters and home labbers spit bile at the thought? Probably. It's a matter of personal requirements.
Basically, like you say, most mini PCs are quiet, power efficient, and just carry that bit more oomph than a SBC.
For context, Rock Paper Shotgun is a gaming site, which is why the reviewer focuses so heavily on game performance on different mini PCs. Unsurprisingly, the answer to the title isn't an unequivocal "yes", but some of the little lunch boxes fare quite well despite their limited specs.
A more accurate title would be "Should gamers bother with mini PCs," but given their audience that would be superfluous 🙂 I think mini PC gaming will continue to be a niche interest, but there are certainly other and probably better uses for the tiny computers.
Yeah, the only threat to Big Tech is that they might sink a lot of money into training material they'd have to give away later. But releasing the material into the Public Domain is not exactly an improvement for the people whose data and work has been used without consent or payment.
"Congratulations, your rights are still being violated, but now the data is free to use for everyone".
I guess White's Web3 is going just great updates hurt some butts? I mean, it can't be fun to be up to your neck in an elaborate scam and have somebody keep showing you receipts proving that you're in fact up to your neck in an elaborate scam.
If I understand correctly, OP is after the non-Russian Pale Moon browser start page, not the project home page.
Probably on the lighter side of "piracy", but as this is currently the only Kodi addons community on Lemmy (that I can find), I thought it was worth the shot.
I've been using the Youtube add-on with Kodi for years, partly to access trailers but also to share videos from my (Android) phone, using the Newpipe app. Until of course Google decided that you need API keys to access Youtube — and I got rid of my Google accounts way back, so that's not an option.
I've installed the Invidious add-on as well, but I can't get it to work in the same way that the YT add-on did. Now, I know Google are doing their worst to trip up Invidious instances as well, but the issues might also be due to poor configuration on my part...
So my question is basically in the title — is there any way to use Youtube on Kodi without API keys? I've tried searching online but it seems that, unlike me, most people are fine connecting a Youtube account to their home media centre...
Any advice or just links to tutorials are much appreciated!
> > > It’s really important to point out that our own interaction with tech may have changed to be extremely controlled, and seem like we have a dependency on corporations… but the original underlying structure still exists. We have power to exist independently, and create our own alternatives too. > > > > At the core of it, we can participate our own way, if we know where to look. > You can still create websites, your own tools, distribute your own software… and how to do that is a very important understanding to cultivate. > > > > Tech literacy is an imperative, especially in the era that we are in right now. > >
In Radio Times' fireside chat, the two writers reveal all.
> > > what are Davies and Moffat’s secrets to telling a great Yuletide yarn? And what do they get up to at Christmas themselves? In [Radio Times'] exclusive fireside chat, they reveal all. Are you sitting comfortably? Then they’ll begin… > >
In which the writers of christmas episodes past and present discuss
- each other's christmas specials;
- how Joy to the world came about;
- why the Doctor doesn't just solve everything by going in the TARDIS;
- writing, and why AI won't steal creative writers' jobs; and
- what comes next on Doctor Who?
The special edition will also feature recovered footage not seen since the original broadcast.
According to Radio Times,
> > > this new version of the serial will feature a 'lost' piece of Doctor Who history – while the Second Doctor's regeneration into the Third Doctor (Jon Pertwee) originally took place off-screen, the special edition of The War Games will depict the changeover on-screen. > >
and
> > > We're also promised the new release – which will air on BBC Four and be available on BBC iPlayer – will feature "recovered footage not seen since the original broadcast". > >
First of all, yes: I'm an art snob. I'm not interested in some rando's drawings of dragons, their "badass" OC, crying airbrushed wolves or whatever. Unfortunately, that is pretty much the limits of art communities that I've been able to find on here.
I've been looking for communities here on art theory, art history and movements, contemporary artists and exhibitions, but to no avail. Don't people go to galleries and art museums, or have their own, conceptual or more hands-on art practice?
Or is it just that the threadiverse has inherited so many Reddit neckbeards that it's basically hostile to any form of aesthetic intellectualism?
To preempt suggestions of "just start your own" — yeah, but I'm looking for a community more than just me going on about my preferences.
So I'm hoping somebody can tell me I just suck at searching and there are several communities just like I've been looking for. Second best result would be a handful of other art snobs going "YES! I'D LOVE THAT TOO," so we can at least co-mod a new community together.
Thanks in advance!
First of all, yes: I'm an art snob. I'm not interested in some rando's drawings of dragons, their "badass" OC, crying airbrushed wolves or whatever. Unfortunately, that is pretty much the limits of art communities that I've been able to find on here.
I've been looking for communities here on art theory, art history and movements, contemporary artists and exhibitions, but to no avail. Don't people go to galleries and art museums, or have their own, conceptual or more hands-on art practice?
Or is it just that the threadiverse has inherited so many Reddit neckbeards that it's basically hostile to any form of aesthetic intellectualism?
To preempt suggestions of "just start your own" — yeah, but I'm looking for a community more than just me going on about my preferences.
So I'm hoping somebody can tell me I just suck at searching and there are several communities just like I've been looking for. Second best result would be a handful of other art snobs going "YES! I'D LOVE THAT TOO," so we can at least co-mod a new community together.
Thanks in advance!