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For some reason I never read Count Zero, but I really enjoyed the third one, Mona Lisa Overdrive. It certainly seemed as good as Neuromancer to me, and had a nice plot and a good group of really cool diverse characters.
Nothing against all the many many Cyperpunk works that came later, but this seminal trilogy is a great way to get introduced to the genre. I really like William Gibson's writing style, although he is no technical master of the written word...he just writes with a very cool vibe, and I like the way he describes things, and slowly reveals a books plot over time.
So a movie based on a book, that decided to completely ignore the actual book and just borrows a few aspects of it? No thanks. Although it sounds that the first half was entertaining in it's own way. Maybe it makes for a fine popcorn movie for people who don't actually know what the plot is 'supposed' to be.
I read this soon after it was published, and it left a powerful impression on me.
Early on in the book, it is full of very short sequences, full of crazy edgy new terminology, a glittering description of a world both seriously trashed out yet full of fabulous advanced technology, which was often grafted into the characters themselves. You don't know what the hell is going on. You don't know how these different people and scenes might eventually make sense or come together. You gradually piece it together like a detective novel that slowly makes more sense over time.
There is a strong 'sex, drugs, and violence' vibe, and it's clear that intriguing power struggles must be going on behind the scenes. The descriptions of crazy, intense experiences of advanced synthetic drugs is a standout bit of ambience creating weirdness, kind of like the cinematic depiction of the drug 'slow-mo' in the recent Judge Dredd movie (the one with Karl Urban).
"The drug hit him like an express train, a white-hot column of light mounting his spine from the region of his prostate, illuminating the sutures of his skull with x-rays of short-circuited sexual energy. His teeth sang in their individual sockets like tuning forks, each one pitch-perfect and clear as ethanol. His bones, beneath the hazy envelope of flesh, were chromed and polished, the joints lubricated with a film of silicone. Sand storms raged across the scoured floor of his skull, generating waves of high thin static that broke behind his eyes, spheres of purest crystal, expanding..."
Eventually it comes together, with ultra-intelligent AI entities playing a strong role in all the intrigue.
To me, the book is a masterpiece of 'style over substance'. The plot ultimately is not super innovative, but the newness of the setting, and the ultra-cool characters and overall vibe was incredibly satisfying and fresh. Good stuff!
A new vocabulary for a transformed reality: the deeply influential cyberpunk classic, 30 years on from its original publication. By John Mullan
Written 30 years after the novel was first published
I have very little idea of how many people outside of villa-straylight can see the posts from here. I was just a bit curious if it's just the hundred folks from here, or several thousand from random other instances