Superhero stories have become less about saving people and more about fighting villains.
Superhero stories have become less about saving people and more about fighting villains.
I know not every superhero story is the same, but I feel like recent superhero media has moved away from showing heroes actually saving people. Even vigilantes like Batman and Daredevil rescue civilians—they’re not just crime fighters. Superheroes may not be realistic, but they’ve always prioritized saving lives.
That’s one reason I like The Flash on the CW—it balanced both saving people and crime fighting, even if the crime-fighting usually came first. Superman & Lois does this even better. Almost every episode shows Superman stopping disasters or accidents, not just punching villains.
Superheroes aren’t just super-powered cops, soldiers, or secret agents. They should also be part-time super-firefighters. Shows like 9-1-1 and Chicago Fire make me wish we had more of those rescue scenes—but with superheroes. Not every episode has to be about saving the whole city.
This has been a problem for far, far, longer than you think. The silver age definitely had it, the golden age probably did, and I wouldn't be surprised if it cropped up in the proto-superhero stories, like Zorro. It's a consequence of having a long-form story where the narrative's status quo isn't allowed to meaningfully change and characters either aren't allowed to die or aren't allowed to stay dead. Recurring antagonists also can have much richer characterization and more complex relationships with the protagonists, which makes writing stories about them more appealing the more often they appear.
The usual trajectory for a new superhero or new incarnation of an existing superhero is to start off with street-level problems, then get a nemesis that has strong ties to those street level problems, then have the dynamic between the two grow in prominence to eclipse all other parts of the plot. The Joker, for instance, always starts off as either a mob boss with a gimmick or a serial killer with a gimmick, not far removed from the mundane crime Batman always starts with, but always winds up with a fixation on Batman and spawns stories designed as some commentary on Batman's no-killing rule. Again and again and again, dozens of times over the decades.
Why? Because the dynamic between the two characters tends to be fascinating and results in audience engagement.