We're likely to start hearing unionbusting lies about how studios and streamers can't afford to pay actors fairly because “the writers took all the money.”
We're likely to start hearing unionbusting lies about how studios and streamers can't afford to pay actors fairly because “the writers took all the money.”
Is there a better source for this than a graph on Facebook that adds up to 100.02%?
75"Please note that the percentages in these pie graphs do not add up to 100% because the math was done by a woman.
For those of you hissing at that joke, it should be uh noted that that joke was written by a woman.
So, now you don't know what the hell to think, huh?
Nah, I'm just kidding. We don't hire women."
-Norm MacDonald, Weekend Update
46I, too would like a source with a better breakdown.
But it's not surprising that a computer would round up when dealing with under 0.01% on a graph.
27I'm guessing it's a rounding error with some of the entries being less than 0.01. Also it's twitter.
24Poll 7 people on their favorite color. 2 people pick red (29%), 2 people pick green (29%), 3 people pick blue (43%). 29+29+43=101%.
11I would assume that all, or most of the 0.01% are actually less than that, but no one wanted to read a bunch of 0.007% on a pie chart.
8
In this thread: people who don't know the difference between revenue and profit.
I'm not trying to discredit the protests, they are completely valid, but this chart is meaningless for comparisons. The profits can be calculated and would be much more meaningful even if the numbers aren't perfect.
47Hollywood accounting is notoriously untrustworthy, so any calculation of profit/loss is pretty suspect to me.
29It may be true that it is difficult to accurately calculate the studio's profits however that does not change the fact that comparing worldwide revenue to individual costs provides no meaningful conclusions without knowing the rest of the costs. I agree that the writers and actors are being treated unfairly but the pie chart is obviously flawed.
4
Properly paying writers and actors are some of their expenses though, not random unrelated people that want money. Using revenue here makes sense to me.
11Imagine that the studio makes a movie that uses a famous song, actor, or other piece of intellectual property that is very expensive but they know it will boost box office sales. They might spend $5 million on this IP and it might generate $6 million in additional revenue.
Now, some people look at the $6 million in revenue and ask where their cut is. Of course the studio doesn't actually have the $6m, they only have $1m after paying for the IP. Extrapolate this out for a whole movie.
This is why it doesn't make mathematical sense to compare your wage to revenue - it is ignoring business fundamentals. Instead we need to look at profit which already has all expenses subtracted out. Profit is where any additional compensation must come from, or the studio needs to cut expenses elsewhere.
4Sure, so long as you're cutting all the expenses out of the revenue too, and not just union dues. The whole trick of this chart is to make pretend like writers, actors, etc are only getting 0.01% slices of the pie and the studio keeps the rest. When the actual actors (as opposed to the union itself) are going to be a big chunk of that revenue, as are the actual writers, editors, special effects, sets, costumes, etc, etc.
3
That black pie chart is really confusing. The main part of the chart is labelled "Studio Revenues", but the small slice is various costs? Why would you have revenues and costs in the same pie chart? I understand comparing revenues vs. costs, but that's not how you use pie charts. Pie charts ad up to 100% and describe how each section contributes to the total. So, what's the overall thing being measured here, "money that exists in Hollywood?" Because, if it's revenues, of course SAG-AFTRA contracts aren't revenues for the studios. If it's costs, then why is the big section labelled "Studio Revenues"?
Also, what are the "estimated totals of each major union and guild contract"? SAG-AFTRA is listed there, but surely that can't include all the amount they pay actors. Is that just the contractual minimums? Is it money that SAG-AFTRA and the other unions receive, but not the money that the members of those unions receive?
I get the concept they're trying to convey. Compared to the money the studios rake in, the amount that the unions are asking for is minimal. But, this is not how you use a pie chart.
6Is it money that SAG-AFTRA and the other unions receive, but not the money that the members of those unions receive?
Given how much studios pay for big name actors, I would guess the reason they listed those slices by the name of the union is because that's what the unions themselves get, not what gets paid to union members. That's the only way it makes any sense at all, unless they're limiting the chart to only the most absurdly successful movies rather than what's more typical.
2
The question is however are they using real world accounting for that math, or Hollywood accounting?
5Permanently Deleted
1
They skew those numbers.
2Agreed, but that doesn't make the pie chart valid. It makes zero mathematical sense to compare worldwide revenue to a single cost unless all other costs have been subtracted out first.
1
A customer, a writer and netflix sit around a table. On the table are 20 cookies. Netflix takes 19 and says "careful, customer, the writer wants your cookie!"
30Wallstreet walks by and says, "Netflix, why do you only have 19 cookies. We expected you to have 22. Are you sick? Are you dying?" Wallstreet turns and yells to the room "Hey everybody! Netflix is looking sick so you may want to avoid them for awhile." Netflix sighs and passes customer a note "thanks for being a loyal customer. We will be raising our rates next month"
16Do that again but there are 3000 cookies not 20.
9
something I've never ever understood is why all the different unions are split up like this. Whenever strike talks come up it's "IATSE vs AMPTP" or "WGA vs AMPTP", etc. rather than a collective union of unions.
The producers figured it out and are united, why haven't the different unions done the same? I'm especially leary at this sort of thing after IATSE president Matt Loeb took a bum deal and threw everyone under the bus.
12Unions are in essence the descendants of the old guild system. Guilds were trade organizations for specific craft and unions inherited this way of working.
9
Godspeed, SAG-AFTRA!
10What do union totals mean? Is it the total revenues of members of this particular union? Or the union budget? What does it have to do with studios revenues? How do these totals + union revenues add up to 100%? 100% of what?
If they were trying to make a point, I'm not sure it went well
2Revenue is kind of useless when discussing this, what are the profit margins?
-6Due to Hollywood's creative accounting, we'll never know what their true profit. For example, a hugely successful Return of the Jedi is technically not profitable despite earning $475 million at the box office against a budget of $32.5 million.
23Sure, it is difficult to estimate their profits, but they can be approximated. From a statistics point of view, using revenue instead of profit doesn't allow for a meaningful comparison.
-5
Permanently Deleted
-1
This is not anti-work.
-18Is pro union, but not completely anti work, just protected jobs.
9