Loved it. It was fun, cheesy at times, but also down to earth where it mattered. Also a big fan of RTD giving a big middle finger to everyone who complained about Jodie's era being too "woke." I find it kinda funny that RTD did more with a female doctor in one episode than Chibnal did in 3 years, and he didn't even have a female doctor.
Only complaint is the resolution to the metacrisis where they just get rid of it. Feels a bit hand-wavy and also the one thing in the episode that I felt was a bit preachy. Loved the stuff before it though, with Rose inheriting it.
Lol, to be fair I feel like every modern showrunner has had that issue. Moffat especially tended to have finales that were basically just "let's hold hands and hope things work out."
Of course it was hand-wavey. It's RTD's Doctor Who. :)
Chalk it up to the DoctorDonna needing fifteen years or so to finish the calculation that would solve her problem, which it turns out needed two processors running in parallel.
Wow, you can tell the series just got a big cash infusion from Disney. The production values have gone way up. (But we still have guys in rubber suits because it wouldn't be Doctor Who otherwise.)
I loved it, personally! David Tennant and Catherine Tate felt like they'd been away for a month or two rather than 15 years, and it's so nice for Doctor Who to just be fun and funny again.
I know some people didn't like the "let it go" resolution, but also that's just Russell T. Davies I think. You get utterly bonkers ideas (Beep The Meep on primetime TV as a big comeback monster!) a political point of view that he's not afraid to completely smash you over the head with, and an out-of-nowhere hand-wavy resolution that fixes everything (remember when the Doctor became flying space Jesus and then they erased the human race getting genocided back in the day?)
Also I loved the conversation in the cab:
"How's Nerys?"
"She's fine."
"Since the accident?"
"She's not fine."
"It was her fault."
"She's been fined."
ALSO I really like the new TARDIS interior. Someone on another site described Tennant running around it as like a dog with the zoomies lol.
Oh yeah I didn't mean that as a dig at the inclusivity at all, I loved it. I just meant I really enjoy how much RTD does not fuck around when it comes to making a statement lol.
Also it's a very TARDIS move to have a coffee maker built into the console, and also have the console violently explode on contact with coffee.
Silly is par for the course. I welcome silly, as opposed to the morose it could have been. Donna and the Doctor's saga got some closure without becoming a complete tragedy.
That was the best episode in several years, mainly due to it being from the '80s comic book line. It hit all the right buttons; it's fun, even with the twist!
I didn't mind it too much. I read a quote somewhere once (I forget where, maybe one of the writers discussing the show?) which said something along the lines of "The sonic is for opening doors and moving the Doctor towards the trouble, not for getting him out of it." which I think is a good way to use it. I mean it did get them away from the shooty bug guys, but it moved them along to the bigger trouble and he didn't use it to solve the whole episode so I think it still works!
I had to laugh when he used it to knock down a brick wall and then later when he seems worried there's not a good escape route, the UNIT lady does basically the same thing with an explosive round.
Yeah, that was a bit of a stretch. Of course, it's abilities have changed over time based on narrative need or improved editing techniques as we see here.
Yeah, gotta sell those toys somehow I guess. I didn't hate it. I think it'll take a bump or two as time goes on to lose functionality when narratively convenient like always it isn't that big of a deal. It took the Doctor forever to do his Penny Crayon routine too. In a real emergency he'd still be best just running like usual.
I think it was purely just to set up for the new Disney+ fans he's an advanced alien with a magic wand. And to shift as many units of the screwdriver before Christmas before it gets a downgrade.
If the show is proven popular, I wouldn't be surprised for them to deepen the deal and to start seeing merch even appear in the Disney parks.
I think Disney is going to see the huge jump in viewership - especially from American fans who are glad to finally have a reliable time and place to watch it every week - and want more of it. That's ultimately a good thing for us, but hopefully they and Bad Wolf have taken the right lessons from Marvel and Star Wars and don't stretch things too thin.
It was alright but I didn't enjoy it as much as others seem to have done. Everything was so obvious. Donna tells her daughter that she will protect her so you know this will come in play later. The coffee thing was mentioned and I immediately knew she'll spill it. The way the "why Donna didn't die" was a bit resolved in a weird way, she is a woman so she can "let go" and give birth, which is so weird that the Doctor didn't think about this (he literally was a woman just before). Ultimately it doesn't make sense, someone passes a disease to their kid it doesn't mean that the disease is now weaker. That's not how inherited illnesses work. I love that there's a trans character but everything about her is just them saying that she is trans, I wanna know more about her and not just her sexuality. It was handled good in the conversation between Donna and her mother but then it went a bit overboard for my taste.
Rose being trans was ham fisted into the episode, the only thing they were missing was a siren blaring it out. They focused on her being trans instead of focusing on her character who was trans.
This is nonsense, and you only think this is the case because you were focusing on it so hard. Before we knew anything about her we saw that she was a bright, attractive, and canny kid who was interested in everything. Then we saw her shed and learned she made little stuffed creatures to sell for extra spending money, and we see she wants to help this weird creature rather than panicking and running as most people might. Later Donna says she does acting in the drama club but isn't very good at it. That's more than we learn about most secondary characters in a single episode.
I don't know you, so I don't know what your experience is and won't even venture to guess, but I can say from my own personal experience that people with trans or otherwise queer kids talk about it, especially with other parents. And it is sometimes quite a challenge for some, especially for older relatives to "get it", even when they want to do right by their family member.
No, it's not the only thing about Rose, but it is an important thing, especially when vast squelching chunks of society would rather not even acknowledge nonbinary and transgender people even exist. And I'm glad they were up front about it, rather than drawing it out and trying to be coy to the point of wanting to have it both ways.
well it's not an inherited illness but yeah, the whole thing was "a human brain can't handle that much dumped into it" which is why she had to forget. Processor overload.
Yea I used illness as an analogy. Passing something down to your child doesn't necessarily mean it'll get weaker. But even when accepting this, I find the resolution unsatisfactory.
I really enjoyed the episode for what it was. It served as a decent introduction for the Disney+ crowd without being too convoluted. Which given this was a continuation of a 15 year old plot thread was handled about as well as it could be.
My biggest complaint was how integrated Rose was into the resolution to the metacrisis. I am not trans and don't pretend to know even a fraction of the struggles they face in our society. The normalisation of Rose throughout the episode and an acknowledgement of how even very well meaning family work to be inclusive felt very natural. However, I did not like how her being trans seemed to have been caused by the metacrisis. It felt like it flew in the face of the normalisation. The reading in the episode is Rose is only trans because of that timelord DNA influence. It felt wrong to reduce her character to being nothing more than a quirk of fate rather than just who she is naturally.
I'd have preferred a 'Lets all hold hands and the family shares the burden' hand waving than what we got. Rose deserved more than what we got and certainly more screen time. It was quite weird the rest of the family didn't go see Wilf. I get they were setting up episode 2, but in the context of the moment it felt really out of character for MumDonna.
To those confused about how Donna and Rose were able to 'Let it go' now rather than back then, Frozen wasn't released until 4 years later so it musn't have occurred to the Doctor... In all seriousness, I'd point to the scene from The Day of the Doctor where Clara opens the unlocked door for the 'clever' Doctors. Sometimes he'll look for the best solution without realising a simple one is in front of him.
The new TARDIS interior was gorgeous, harkens back to the Hartnell console room. I loved the first thing 13 did was start running around. So much room to practise running haha.
All in all, a solid.episode with some flaws. I really liked the new style and you could feel that new budget while still having a Dr. Who charm aliens that looked like they'd been handmade. I'd put it around a 7.5/8 out of 10. Good foundation, interested to see if it is built on. It definitely makes me excited for Ncuti's run.
her being trans seemed to have been caused by the metacrisis. It felt like it flew in the face of the normalisation. The reading in the episode is Rose is only trans because of that timelord DNA influence.
I didn't get that at all from the episode. Where are you getting that from?
Rose is trans because that's who she is. The metacrisis was a part of her up until she and Donna released it - which they couldn't do while Donna was still psychic locked. And afterward she was basically the same, only without that metacrisis energy, which didn't change who she was, it only had subtle subliminal influences that manifested in her stuffed creatures and maybe nudged her in tiny ways, but didn't overtake her.
However, I did not like how her being trans seemed to have been caused by the metacrisis. It felt like it flew in the face of the normalisation.
I get that reading of it, but I think her "I finally feel like me" line after releasing the meta-crisis was more an acknowledgment of finally being able to let go of the 10th doctor's maleness, not that the meta-crisis made her trans.
The last season of Dr. Who I watched was season 9, so I'm a little behind. I liked a lot of the episode. I appreciated seeing Donna again, and I'm glad of the outcome. I thought the ending was a bit bad and I hated how the TARDIS looked on the inside. I don't know, I guess they are getting back into the flow of things, but something just seemed a bit off for most of the episode.
I did like the UNIT woman in the wheelchair. Other than the part at the very end she was great and I would hope to see her again. I'm also glad that Donna stayed on as a companion, even if accidently.
I loved the new TARDIS interior. It has nods to the Pertwee era, which I feel like hasn't gotten much love in NuWho.
The white rubber swoopiness feels like a call back to the 3rd Doctor's flying car. (Hard to see in the photos I've found, though.). , and the rest of the console (and the goofy white wall plates) evokes the feel of the big grey hexagon console
I was a bit confused that there's a new interior at all. Usually there's a crash or an implied long period of the doctor being solo, to explain the desktop theme change. Oh well.
I wish there was a bit more thought put into why the TARDIS interior changed the way it does. It would have been more of a thematic triumph had it evoked the Nobles more directly somehow. It felt a bit too clinical for this Doctor, and I'm hoping that only means it's a blank slate for him to tweak to his liking. I do like the lights, though. They at least at some occasional color.
As someone else wrote somewhere... RTD's back, which means the carnival's back in town. Lots of running about, flashing lights, loud music, a stunt show with exploding things and people shooting at each other, and comedy hi jinks.
I liked the small things - the time vortex having open areas with multiple paths from 13, the helping/oh-shit-nope-not-helping with the stacking, the psychic paper not keeping up, 'she's fine/she's not fine/been fine', Sylvia's "YOU!", Donna's 'WHAT THE HELL!', the 'you can't know your future conversation' up until they mentioned (again) that Donna dies if she remembers. Didn't mind the parademons, like the idea of the Sonic having a UI (but hated the shields), loved The Meep even after they got sidelined for the big ending. Console room was kinda meh still, big and bland atm.
I have a feeling the episode was scripted and shot, then they decided on the introduction to catch us all up, hence the doubling-up. Could be wrong, though.
It would be nice if there would stack up souveniers from the adventures or whatevee the protagonists go through. But I really love the like curvy, nonlinear crosswalks.
After a second watch, I really started to like Rose's backstory especially since Time Lords can be considered non binary.
My only qualm is it felt a bit rushed, it's too bad there wasn't a way to slowly eldlude to why Rose is the way the are. It all got thrown at us in 30 seconds at the end of the episode.
Wife and I loved this episode, just so great. Hate that Jodie didn't have writers and stories as great as this.
My wife did find a bit of a plot hole though. This story takes 15 years later right? Donna got married 15 years ago, assuming she got married not long after the meta crisis. So Rose should be 13 or 14 at the oldest. Rose clearly is in her late teens.
That console room needs furniture! It's just a bunch of ramps and catwalks that don't seem to go anywhere. Hopefully Donna can give it more of a homey touch - some nice lamps and wallhangings, maybe.
It would be nice if there would stack up souveniers from the adventures or whatevee the protagonists go through. But I really love the like curvy, nonlinear crosswalks.